Chartered Streets.mp3

“Chartered Streets” from “Cue Sheets”, Music for a film on William Blake, director Jeremy Wooding. Strings by The Emperor String Quartet. Released by Tzadik TZ 7501.

El.mp3

“El” from “Cue Sheets”. Music for “The Projection Racket” a film about mob involvement in the film industry, director Chris Spencer. Soprano & tenor saxophones, bass clarinet by Tony Coe. Released by Tzadik TZ 7501.

Prayer To The Goddess.mp3

“Prayer To The Goddess” from the film “Bollywood Queen”, director Jeremy Wooding. Singer Najma Akhtar, Tablas Aref Durvesh. CD Screen003

Sari & Trainers 01.mp3

‘”Geena’s Bedroom Song” from “Sari & Trainers”a short Bollywood film by Jeremy Wooding. From “Cue Sheets II”. Singer Najma Akhtar. Musicians: Steve Beresford, Sylvia Hallett, Clive Bell, Ansuman Biswas, Pat Thomas. Released by Tzadik TZ 7513.

Sari & Trainers 02.mp3

“Brothers’ Song” from “Sari & Trainers”a short Bollywood film by Jeremy Wooding. From “Cue Sheets II”. Singer Jayanta Bose. Musicians: Steve Beresford,  Sylvia Hallett, Clive Bell, Ansuman Biswas, Pat Thomas. Released by Tzadik TZ 7513.

Screaming Reels.mp3

“Screaming Reels” Title music for TV series on fishing. Director Ian Denyer, Kudos for Channel 4 Television. Musicians: Steve Beresford, Tony Coe, Alex Balanescu, Annie Whitehead, Mike Cooper,Mark Sanders. Released by Tzadik TZ 7501.

Soul Patrol.mp3

“Soul Patrol” Music for a vampire film of the same name set in contemporary London. Directed by Jeremy Wooding. From “Cue Sheets II”. Musicians: Steve Beresford, Jason Yarde, Thomas Dyani, John Edwards, The Emperor String Quartet. Released by Tzadik TZ 7513.


Steve Beresford

I first met Steve and David Toop in the early 1980’s through working with David Cunningham  (aka “The Flying Lizards”) at Berry St Studios. We worked together on many projects over subsequent years, and since I have worked with  each of  them separately on many more. Steve is well known as a composer , performer and producer.

These are all fairly short excerpts to demonstrate the nature of the recordings. As I have no rights to any of the recordings I wish to avoid any problems that may arise. I aim to indicate the companies and musicians involved, and hope that anyone interested in hearing more will be able to buy a copy.

David Toop